Nick is horrified when they discovered the true identity of person impersonating Mitch Y&R Spoilers

Spoiler Alert: “Nick Is Horrified When They Discover the True Identity of the Person Impersonating Mitch”

In The Young and the Restless, deception has always been a dangerous game — but this time, it crosses a line that no one in Genoa City ever saw coming. What begins as a strange case of mistaken identity soon spirals into one of the most shocking revelations the Newman family has ever faced. Nick, determined to protect his family and his company, finds himself caught in a web of lies so twisted that when the truth finally comes out, it leaves everyone reeling in disbelief.

The film-style retelling opens with Nick Newman standing inside his office at Newman Enterprises, frustration written across his face. Over the past few weeks, rumors have spread that Mitch Lawrence — a powerful businessman with a questionable past — has resurfaced and is making moves in Genoa City. The problem? Mitch died years ago. Or so everyone thought.

At first, Nick assumes the whole thing is some kind of scam — maybe a con artist using Mitch’s name to get close to Newman Media. But when unsettling messages start arriving at his office — emails signed “M.L.”, phone calls from untraceable numbers, and a photo of Mitch standing outside the Newman Tower — Nick’s certainty begins to crack. The man in the picture looks exactly like Mitch. Same sharp eyes, same confident smirk. Impossible… but real.

Determined to get to the bottom of it, Nick teams up with Chance Chancellor to investigate. They dig through records, track phone logs, and question anyone who might have seen Mitch in the past month. But every clue only deepens the mystery. Mitch’s bank accounts are active again. A new company, linked to offshore accounts, has been quietly buying Newman Media stock. And surveillance footage shows someone who looks exactly like Mitch meeting with one of Newman’s top investors.

Nick can’t shake the feeling that something is deeply wrong. “Either Mitch isn’t dead,” he tells Chance, “or someone’s gone to terrifying lengths to make us believe he’s back.”

Meanwhile, Victoria and Adam get drawn into the chaos, each with their own suspicions. Victoria fears this could be a hostile takeover. Adam, ever the skeptic, wonders if someone inside Newman is orchestrating the whole thing. Their tense family meeting erupts into accusations until Nikki intervenes, insisting they all focus on finding out the truth.

As the investigation heats up, a chilling pattern emerges. Every person who’s crossed paths with the impostor has suffered in some way — sabotaged deals, blackmail, even threats. It’s clear the impersonator isn’t after money alone. They want revenge.

Nick’s search leads him to a warehouse on the edge of town, a dark and eerie place where the truth finally begins to reveal itself. He and Chance break in late one night, flashlights cutting through the shadows. In the corner sits a cluttered desk covered with photos, newspaper clippings, and confidential Newman files. And at the center — a wall plastered with pictures of Nick and his family, with one message scrawled in red marker: “You took everything from me. Now I’ll take everything from you.”

The tension builds to a breaking point as footsteps echo behind them. A figure steps into the light — the face of Mitch Lawrence staring back at them. Nick’s breath catches. “It can’t be,” he whispers. The man smirks. “Miss me?”

But the truth is even darker than Nick could have imagined. As Chance arrests the impostor, fingerprints reveal a horrifying secret. The man pretending to be Mitch isn’t a stranger at all — he’s Mitch’s twin brother, a man long thought to have disappeared decades ago after a mental breakdown and years of resentment toward Mitch’s success. He’s been hiding in plain sight, waiting for the perfect moment to strike against everyone who ever wronged his brother… starting with the Newmans.

When the truth comes out, Nick is shaken to his core. He realizes the impostor had access to insider information because someone inside Newman unknowingly helped him — feeding him data, believing they were dealing with the real Mitch. The betrayal cuts deep.

The movie ends with Nick standing outside the police station as the impostor is taken away, shouting over his shoulder, “This isn’t over, Nick! You’ll see me again!” Nick turns to Chance, his expression grim. “He’s not bluffing,” he says. “This was just the beginning.”

The final scene fades out on Nick staring at his phone as a new message appears on the screen — a single photo of the Newman Ranch, taken from the outside. The caption reads: “Home sweet home.”

The audience is left in suspense, wondering who else might be involved — and what other secrets the impostor left behind.

Because in Genoa City, no one stays buried forever.